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The 12 Principles of Animation Illustrated

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the following has been paraphrased from the you should of Life by Frank Thomas and Ollie Johnston  squash and stretch this action gives the illusion of weight and volume to a character as it moves anticipation prepares the audience for a major action the character is about to perform each major action is preceded with those that anticipate for the audience what is about to happen staging it's the presentation of an idea so that it is queer straight ahead and post to post closed opposes charted with key drawings done at intervals throughout the seat Straight Ahead animation starts at the first drawing and works drawing to drawing to the end of the sea group and Overland when the main body of the character stops all other parts continue to catch up to the main Mast Nothing Stops all at once slow in and slow Leslie action starts we have more drawings near the starting pose one or two in the middle and more drawings near the next post few are drawings make the action faster Kenmore drawings make the action slower barc's  all actions with few exceptions follow in our course slightly circular path arks give Animation no more natural action and better flow  secondary action  it's an additional action in the scene used as end of the in order to reinforce mentioned  what time it  more drawings between poses slow and smooth can action fewer drawings make the action faster and Crystal timing maintains the appearance of an object abiding by the laws of physics exaggeration  remain true to reality just presenting it in a while they're more extreme form  solid drawings it means taking into account forms in three dimensional space giving them volume and weight  appeal it's a quality of charm please the viewer's eyes it's the Charisma of the action

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The 12 Principles of Animation Illustrated

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